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PART VI - CHAPTER II “Ah these cigarettes!” Porfiry Petrovitch ejaculated at last, having lighted one. “They are pernicious, positively pernicious, and yet I can’t give them up! I cough, I begin to have tickling in my throat and a difficulty in breathing. You know I am a coward, I went lately to Dr. B----n; he always gives at least half an hour to each patient. He positively laughed looking at me; he sounded me: ‘Tobacco’s bad for you,’ he said, ‘your lungs are affected.’ But how am I to give it up? What is there to take its place? I don’t drink, that’s the mischief, he-he-he, that I don’t. Everything is relative, Rodion Romanovitch, everything is relative!” “Why, he’s playing his professional tricks again,” Raskolnikov thought with disgust. All the circumstances of their last interview suddenly came back to him, and he felt a rush of the feeling that had come upon him then. “I came to see you the day before yesterday, in the evening; you didn’t know?” Porfiry Petrovitch went on, looking round the room. “I came into this very room. I was passing by, just as I did to-day, and I thought I’d return your call. I walked in as your door was wide open, I looked round, waited and went out without leaving my name with your servant. Don’t you lock your door?” Raskolnikov’s face grew more and more gloomy. Porfiry seemed to guess his state of mind. “I’ve come to have it out with...
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Summary
Raskolnikov finally reaches his breaking point with the psychological torture he's been enduring. The weight of his crime has been crushing him for weeks, and he can no longer maintain the facade of normalcy. In this pivotal chapter, he makes the decision that will change everything - he's going to confess. But this isn't a simple moment of moral awakening. Raskolnikov is exhausted, mentally and physically broken down by the constant fear, paranoia, and guilt that have consumed him since the murders. He realizes he can't continue living this double life, pretending to be innocent while carrying such a massive secret. The chapter shows us how isolation and guilt can literally drive someone to the edge of sanity. What makes this moment powerful is that Raskolnikov isn't confessing because he suddenly believes he was wrong - he's confessing because he can't bear the psychological burden anymore. This distinction matters because it shows how crime doesn't just harm victims, it destroys the perpetrator from within. Dostoevsky brilliantly demonstrates that we can't escape our own conscience, no matter how much we try to rationalize our actions. For readers like us, this chapter offers a crucial insight: when we do something we know is wrong, the cover-up often becomes more destructive than the original act. The energy we spend hiding, lying, and maintaining false appearances can be more exhausting than facing the consequences. Raskolnikov's journey to this moment shows us that authentic peace only comes when we stop running from the truth about ourselves, even when that truth is uncomfortable.
That's what happens. To understand what the author is really doing—and to discuss this chapter with confidence—keep reading.
Terms to Know
Confession
In Russian Orthodox culture, confession wasn't just admitting wrongdoing - it was a spiritual cleansing that restored your place in the community. For Raskolnikov, the act of confessing represents both surrender and potential redemption.
Psychological realism
Dostoevsky's technique of showing the inner workings of a character's mind in extreme detail. We see every thought, fear, and rationalization that leads to Raskolnikov's breakdown, making his mental journey feel completely real.
Nihilism
The belief that life has no inherent meaning or moral values. Raskolnikov initially embraced this philosophy to justify his crime, but his psychological collapse shows that humans can't actually live without moral boundaries.
Redemption through suffering
A core Russian Orthodox belief that spiritual growth comes through enduring hardship. Raskolnikov's mental anguish isn't just punishment - it's the first step toward becoming a better person.
Double consciousness
Living with two conflicting identities - the public self and the private truth. Raskolnikov has been exhausted by maintaining his innocent facade while knowing he's a murderer.
Porfiry's cat-and-mouse game
The detective's psychological strategy of applying constant pressure without direct accusation. This technique has worn down Raskolnikov's mental defenses over time.
Characters in This Chapter
Raskolnikov
Protagonist at breaking point
Finally surrenders to the psychological pressure he's been under since the murders. His decision to confess isn't about moral awakening but about mental survival - he simply can't carry the burden anymore.
Sonia
Spiritual guide
Represents the possibility of redemption through faith and love. Her presence gives Raskolnikov hope that confession might lead to something better than his current torment.
Porfiry Petrovich
Psychological detective
His persistent questioning and psychological pressure have contributed to Raskolnikov's mental breakdown. Even when not present, his influence weighs heavily on Raskolnikov's decision.
Dunya
Concerned sister
Her love and worry for her brother add to his guilt. Raskolnikov realizes his crime has hurt not just his victims but everyone who cares about him.
Why This Matters
Connect literature to life
This chapter teaches readers to recognize when maintaining a lie becomes more destructive than facing the original problem.
You have the foundation. Now let's look closer.
Key Quotes & Analysis
"I can't bear it any longer!"
Context: When he finally admits to himself that the psychological torture has become unbearable
This simple statement captures the human limit of enduring guilt and deception. It shows that our conscience has real power over our mental health and that we can't indefinitely suppress the truth.
"I murdered myself, not the old woman!"
Context: As he realizes the true cost of his crime
This reveals that wrongdoing destroys the perpetrator as much as the victim. Raskolnikov understands that in trying to prove he was above moral law, he actually destroyed his own humanity.
"What am I to do now?"
Context: Standing at the crossroads between continued deception and confession
This question reflects the moment when denial is no longer possible. It's the universal human experience of facing consequences we've been avoiding and realizing we must choose a path forward.
Intelligence Amplifier™ Analysis
Thematic Threads
Psychological Burden
In This Chapter
Raskolnikov's mental and physical exhaustion from maintaining his facade finally overwhelms his ability to continue the deception
Development
Escalated from initial guilt and paranoia to complete psychological breakdown requiring confession for survival
Isolation
In This Chapter
His inability to connect authentically with others while carrying his secret drives him toward confession as the only path back to human connection
Development
Progressed from self-imposed distance to complete alienation, making confession necessary for any hope of relationship
Identity Crisis
In This Chapter
The gap between who he pretends to be and who he actually is becomes unsustainable, forcing a choice between false peace and authentic consequences
Development
Evolved from initial rationalization of his actions to complete fracturing of his sense of self
Truth
In This Chapter
Confession becomes not about moral awakening but about psychological survival—he needs to stop living a lie more than he needs to be forgiven
Development
Shifted from external fear of discovery to internal need for authenticity regardless of consequences
Modern Adaptation
When the Cover-Up Costs More Than the Crime
Following Rodion's story...
Rodion has been living on unemployment and odd jobs since dropping out of law school, telling everyone he's 'taking a gap year to figure things out.' The lie started small—he was embarrassed about failing, about the debt, about disappointing his working-class parents who sacrificed everything for his education. But now it's been eight months. His mom keeps asking about his classes. His girlfriend thinks he's still enrolled. His former classmates see him at the grocery store during school hours and he has to invent stories about 'flexible schedules.' Every conversation requires mental gymnastics. He's created fake assignments to discuss, memorized course catalogs to reference, even learned professors' names from the school website. The energy of maintaining this elaborate fiction is crushing him. He can't sleep because he's constantly rehearsing his next lie. He can't relax because every phone call might expose him. He's more exhausted from pretending to be a student than he ever was from actually being one. Finally, sitting in his apartment at 3 AM, crafting another fake story about why he can't meet his study group, Rodion realizes the truth: the cover-up has become harder than facing what he's hiding from.
The Road
The road Raskolnikov walked in 1866, Rodion walks today. The pattern is identical: when deception requires more energy than truth, the breaking point becomes inevitable. Both discover that secrets don't just hide—they consume.
The Map
This chapter gives Rodion a crucial navigation tool: recognizing when the maintenance cost of a lie exceeds the consequences of truth. He can now calculate the real price of deception and choose his confession moment rather than waiting for discovery.
Amplification
Before reading this, Rodion might have kept spinning more elaborate lies, believing he could eventually make them true. Now he can NAME the exhaustion pattern, PREDICT where endless deception leads, and NAVIGATE toward controlled truth-telling instead of inevitable exposure.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What finally pushes Raskolnikov to decide he needs to confess, and what does his physical and mental state tell us about the cost of carrying secrets?
- 2
Why does Dostoevsky show us that Raskolnikov isn't confessing because he thinks he was wrong, but because he can't handle the psychological burden anymore?
- 3
Think about someone you know who seemed exhausted or stressed - could they have been carrying the weight of maintaining a lie or hiding something important?
- 4
If you were advising someone who was burning out from keeping a secret, what questions would you help them ask to decide whether to come clean?
- 5
What does Raskolnikov's breakdown teach us about the relationship between our actions and our mental health, even when no one else knows what we've done?
Critical Thinking Exercise
Calculate Your Deception Tax
Think of a time when you had to maintain a lie or hide something significant (it doesn't have to be criminal - maybe you called in sick when you weren't, hid a purchase from your partner, or exaggerated your qualifications). Write down all the mental energy it required: planning what to say, remembering your story, avoiding certain people or topics, managing your anxiety about being caught. Now calculate whether the energy cost was worth what you were protecting.
Consider:
- •How much time did you spend each day thinking about or managing this deception?
- •What relationships or opportunities did you have to avoid or modify because of it?
- •If you had used that same mental energy on something productive, what could you have accomplished instead?
Coming Up Next...
Chapter 34: Raskolnikov's Choice
Moving forward, we'll examine making the decision that cannot be unmade, and understand the role of love in moral transformation. These insights bridge the gap between classic literature and modern experience.