Original Text(~250 words)
PART I - CHAPTER V “Of course, I’ve been meaning lately to go to Razumihin’s to ask for work, to ask him to get me lessons or something...” Raskolnikov thought, “but what help can he be to me now? Suppose he gets me lessons, suppose he shares his last farthing with me, if he has any farthings, so that I could get some boots and make myself tidy enough to give lessons... hm... Well and what then? What shall I do with the few coppers I earn? That’s not what I want now. It’s really absurd for me to go to Razumihin....” The question why he was now going to Razumihin agitated him even more than he was himself aware; he kept uneasily seeking for some sinister significance in this apparently ordinary action. “Could I have expected to set it all straight and to find a way out by means of Razumihin alone?” he asked himself in perplexity. He pondered and rubbed his forehead, and, strange to say, after long musing, suddenly, as if it were spontaneously and by chance, a fantastic thought came into his head. “Hm... to Razumihin’s,” he said all at once, calmly, as though he had reached a final determination. “I shall go to Razumihin’s of course, but... not now. I shall go to him... on the next day after It, when It will be over and everything will begin afresh....” And suddenly he realised what he was thinking. “After It,” he shouted, jumping up from...
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Summary
Raskolnikov wakes up in his cramped apartment feeling feverish and disoriented after his violent encounter with the pawnbroker and her sister. His mind races between moments of clarity and confusion as he tries to process what he's done. He becomes obsessed with covering his tracks, frantically checking his clothes for bloodstains and hiding the stolen items he barely remembers taking. The weight of his actions hits him in waves - sometimes he feels justified, other times horrified. His landlady brings him a summons to the police station, which sends him into a panic until he realizes it's just about unpaid rent. This chapter shows how guilt and fear immediately begin consuming Raskolnikov, even though he convinced himself the murder was rational and necessary. Dostoevsky masterfully depicts the psychological aftermath of violence - how the human mind struggles to reconcile brutal actions with our sense of self. Raskolnikov thought he could commit murder and remain unchanged, but his fevered state and paranoid behavior reveal that crossing this moral line has fundamentally altered him. The mundane police summons becomes terrifying because his guilt makes every interaction feel like a potential trap. This psychological realism makes the story feel modern and relevant - we see how trauma and guilt manifest in physical symptoms and distorted thinking. The chapter also establishes the cat-and-mouse dynamic that will drive much of the novel, as Raskolnikov must now navigate a world where he sees threats everywhere while trying to appear normal.
That's what happens. To understand what the author is really doing—and to discuss this chapter with confidence—keep reading.
Terms to Know
Psychological realism
A writing style that focuses on the inner mental and emotional life of characters rather than just external events. Dostoevsky pioneered this approach, showing how guilt and trauma actually affect the mind and body in realistic ways.
Nihilism
A philosophical belief that life has no inherent meaning or moral values. This was spreading among Russian intellectuals in the 1860s, and Raskolnikov has been influenced by these ideas to justify his actions.
Fever dreams
The confused, disoriented mental state that comes with illness or extreme stress. Raskolnikov's physical and mental symptoms show how his body is rebelling against what his mind tried to rationalize.
Paranoia
An irrational fear that everyone is watching you or plotting against you. Raskolnikov's guilt makes him see threats everywhere, turning ordinary interactions into sources of terror.
Moral transgression
Crossing a line that violates your deepest beliefs about right and wrong. Once Raskolnikov commits murder, he discovers he cannot simply return to who he was before.
Police state mentality
Living under a system where authorities have extensive power and citizens feel constantly watched. In 19th century Russia, even minor infractions could lead to serious consequences, making any police contact frightening.
Characters in This Chapter
Raskolnikov
Tormented protagonist
Wakes up physically and mentally shattered after the murders. His fevered state and obsessive behavior reveal that his theory about being above moral law was completely wrong - he's falling apart.
Nastasya
Servant/messenger
The landlady's servant who brings Raskolnikov the police summons. Her ordinary presence terrifies him because his guilt makes every interaction feel dangerous and suspicious.
Praskovya Pavlovna
Landlady
Raskolnikov's landlady who has summoned him to court over unpaid rent. Her mundane legal action becomes a source of panic for Raskolnikov, showing how guilt distorts perception of normal life.
Why This Matters
Connect literature to life
This chapter teaches how crossing moral boundaries creates predictable patterns of guilt, paranoia, and physical symptoms that can be identified and managed.
You have the foundation. Now let's look closer.
Key Quotes & Analysis
"Am I going out of my mind?"
Context: He questions his mental state while trying to remember what happened and check for evidence
This shows Raskolnikov's shocked realization that he cannot control his mind the way he thought. His rational plan has left him completely irrational and vulnerable.
"They want me at the police station... What for?"
Context: When he receives the summons, before learning it's just about rent
His immediate panic reveals how guilt has made him paranoid. Every official contact now feels like a trap, showing how crime isolates you from normal society.
"Hide the things! Hide the traces!"
Context: His frantic thoughts as he searches for bloodstains and stolen items
This repetitive, obsessive thinking shows his mental breakdown. The 'extraordinary man' who planned a perfect crime is now desperately scrambling to cover basic mistakes.
Intelligence Amplifier™ Analysis
Thematic Threads
Identity
In This Chapter
Raskolnikov struggles to recognize himself after the murder, alternating between justification and horror
Development
Deepens from earlier intellectual pride—now his sense of self is fundamentally fractured
Guilt
In This Chapter
Physical and psychological symptoms manifest immediately—fever, paranoia, obsessive checking for evidence
Development
Introduced here as the immediate aftermath of crossing moral boundaries
Social Expectations
In This Chapter
Must perform normalcy while internally collapsing—the police summons becomes terrifying because he must appear innocent
Development
Evolves from earlier disdain for society to desperate need to blend in
Class
In This Chapter
Even his guilt is shaped by class—the police summons about rent reminds him of his powerless position
Development
Continues theme of how poverty creates vulnerability and shame
Isolation
In This Chapter
Withdraws further into his cramped apartment, unable to process the trauma with others
Development
Intensifies from earlier social withdrawal—now isolation becomes psychological prison
Modern Adaptation
When the Promotion Goes Sideways
Following Rodion's story...
Rodion wakes up in his studio apartment, head pounding from last night's confrontation with his supervisor Marcus at the warehouse. What started as an argument about overtime pay escalated when Marcus threatened to fire him, and Rodion shoved him hard into the concrete wall. Marcus hit his head and went down, unconscious. Rodion panicked, grabbed cash from Marcus's wallet, and fled. Now he's obsessing over every detail—did anyone see him leave? Are there security cameras? He keeps checking his work clothes for blood, his hands shaking as he stuffs them in the trash. When his landlord texts about late rent, Rodion's heart races, convinced somehow they know what happened. The rational part of his mind insists Marcus deserved it—the man was exploiting workers, threatening their livelihoods. But another part of him feels sick, alien to himself. He thought he could stand up to power and walk away clean, but now every sound in the hallway makes him freeze, every knock could be the police. The fever that's building isn't just physical—it's his psyche trying to process crossing a line he never imagined he'd cross.
The Road
The road Raskolnikov walked in 1866, Rodion walks today. The pattern is identical: when we violate our deepest moral code, guilt and paranoia create a prison where every normal interaction becomes a potential threat.
The Map
This chapter provides a crucial navigation tool for recognizing the guilt-paranoia spiral before it consumes you. When you've crossed your own moral line, you can separate real consequences from imagined ones and interrupt the cycle of hypervigilance.
Amplification
Before reading this, Rodion might have thought his racing heart and fevered thoughts were just stress, spiraling deeper into isolation and paranoia. Now he can NAME the pattern as predictable psychological aftermath, PREDICT that guilt will distort his perception of normal interactions, and NAVIGATE by focusing on concrete reality rather than endless mental replay.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What physical and mental symptoms does Raskolnikov experience after the murders, and how do these affect his behavior?
- 2
Why does a simple police summons about unpaid rent terrify Raskolnikov so much, and what does this reveal about guilt's effect on perception?
- 3
Where have you seen people become paranoid or hypervigilant after doing something they knew was wrong, even in everyday situations?
- 4
If someone you cared about was trapped in this guilt-paranoia spiral, what practical steps would you suggest to help them break the cycle?
- 5
What does Raskolnikov's immediate psychological breakdown tell us about whether humans can really separate actions from consequences in their own minds?
Critical Thinking Exercise
Track Your Own Guilt Signals
Think of a time you did something that violated your own values - maybe a lie, breaking a promise, or hurting someone. Write down the physical sensations you remember (racing heart, sleeplessness, stomach issues) and how you interpreted other people's normal behavior during that period. Did you read suspicion into innocent comments or avoid certain people entirely?
Consider:
- •Notice how guilt changed your body, not just your thoughts
- •Identify which fears were based on evidence versus imagination
- •Consider how isolation versus connection affected your recovery from the incident
Coming Up Next...
Chapter 6: Overhearing Fate
As the story unfolds, you'll explore 'signs' reinforce decisions we've already made, while uncovering the psychology of feeling chosen or destined. These lessons connect the classic to contemporary challenges we all face.