Original Text(~250 words)
Too far did I fly into the future: a horror seized upon me. And when I looked around me, lo! there time was my sole contemporary. Then did I fly backwards, homewards—and always faster. Thus did I come unto you, ye present-day men, and into the land of culture. For the first time brought I an eye to see you, and good desire: verily, with longing in my heart did I come. But how did it turn out with me? Although so alarmed—I had yet to laugh! Never did mine eye see anything so motley-coloured! I laughed and laughed, while my foot still trembled, and my heart as well. “Here forsooth, is the home of all the paintpots,”—said I. With fifty patches painted on faces and limbs—so sat ye there to mine astonishment, ye present-day men! And with fifty mirrors around you, which flattered your play of colours, and repeated it! Verily, ye could wear no better masks, ye present-day men, than your own faces! Who could—RECOGNISE you! Written all over with the characters of the past, and these characters also pencilled over with new characters—thus have ye concealed yourselves well from all decipherers! And though one be a trier of the reins, who still believeth that ye have reins! Out of colours ye seem to be baked, and out of glued scraps. All times and peoples gaze divers-coloured out of your veils; all customs and beliefs speak divers-coloured out of your gestures. He who would strip you of veils...
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Summary
Zarathustra returns from his journey into the future, horrified by what he saw, only to find that present-day humanity is equally disturbing. He describes modern people as painted performers wearing masks made of borrowed ideas, customs, and beliefs from every era. Like actors covered in makeup and costumes, they've layered so many identities on themselves that their true selves have disappeared completely. Zarathustra sees through their performance and finds nothing authentic underneath—just empty shells repeating words and gestures they don't truly understand or believe. He calls them 'unfruitful' because they can't create anything genuine; they can only copy and combine existing things. Their spiritual poverty shows in their constant need for external validation and their inability to commit to any real beliefs or values. Despite being surrounded by mirrors that reflect their colorful performance back to them, they remain fundamentally hollow. Zarathustra realizes he can neither accept them as they are nor help them become authentic, leaving him feeling homeless and alien among his own species. This chapter captures the modern crisis of identity and meaning—how people lose themselves in social media personas, consumer identities, and borrowed philosophies, becoming collections of influences rather than genuine individuals. Zarathustra's disgust reflects the loneliness of anyone who seeks authentic connection in a world of performance and pretense.
That's what happens. To understand what the author is really doing—and to discuss this chapter with confidence—keep reading.
Terms to Know
Motley-coloured
Having many different colors mixed together in a chaotic way, like a jester's costume. Nietzsche uses this to describe how modern people combine bits and pieces from different cultures, eras, and belief systems without any coherent identity.
Modern Usage:
We see this in people who collect personality traits from social media trends, mixing spiritual practices from different religions, or adopting political views without understanding their foundations.
Paintpots
Containers of makeup and paint used by actors and performers. Zarathustra uses this metaphor to suggest that modern civilization is like a theater where everyone is putting on fake personas instead of being authentic.
Modern Usage:
This describes our Instagram culture where people curate perfect online personas, or workplaces where everyone puts on professional masks that hide who they really are.
Decipherers
People who try to read and understand hidden meanings, like code-breakers. Zarathustra suggests modern people have layered so many borrowed identities on themselves that even experts can't figure out who they really are underneath.
Modern Usage:
This applies to therapists, friends, or family members trying to understand someone who's lost themselves in roles and expectations, making authentic connection nearly impossible.
Veils
Coverings that hide the true face underneath. In this context, the layers of cultural borrowing, social roles, and performed identities that conceal a person's authentic self.
Modern Usage:
We see this in people who define themselves entirely through their job title, political party, or consumer choices, never showing their genuine thoughts or feelings.
Glued scraps
Pieces of different materials stuck together randomly, like a collage made without artistic vision. Zarathustra sees modern people as patchwork beings assembled from borrowed ideas rather than integrated individuals.
Modern Usage:
This describes people who adopt contradictory beliefs from different sources without thinking them through, like being spiritual but materialistic, or claiming to value family while working 80-hour weeks.
Unfruitful
Unable to create or produce anything original or meaningful. Zarathustra sees modern people as spiritually barren because they only copy and combine existing things rather than creating something genuinely new.
Modern Usage:
This applies to people stuck in cycles of consumption and imitation, scrolling through content but never creating, following trends but never setting them, complaining but never building solutions.
Characters in This Chapter
Zarathustra
Protagonist and cultural critic
Returns from seeing the future only to find the present equally horrifying. He observes modern humanity with disgust and disappointment, seeing through their performances to the emptiness underneath. His reaction shows both his isolation and his higher standards for human authenticity.
Modern Equivalent:
The friend who comes back from therapy or a retreat and can suddenly see how fake everyone's social media personas are
Present-day men
Collective antagonist
Represent modern humanity as Zarathustra sees it - painted performers wearing masks of borrowed identities. They've become so layered with cultural influences and social roles that their authentic selves have disappeared completely.
Modern Equivalent:
People whose entire identity comes from their job, political party, and consumer choices rather than genuine self-knowledge
Why This Matters
Connect literature to life
This chapter teaches you to recognize when someone is performing borrowed beliefs rather than expressing genuine convictions.
Practice This Today
This week, notice when people quote others' ideas versus sharing their own experience—the difference between 'Studies show...' and 'In my life, I've found...'
You have the foundation. Now let's look closer.
Key Quotes & Analysis
"Here forsooth, is the home of all the paintpots"
Context: His first reaction upon seeing modern civilization after his journey
This reveals Zarathustra's immediate recognition that modern life is essentially theatrical performance. The paintpots reference suggests everyone is an actor putting on makeup rather than showing their true face. It captures his shock at how artificial human society has become.
In Today's Words:
This place is like one giant costume party where everyone's wearing a fake identity
"Who could—RECOGNISE you!"
Context: Describing how modern people have hidden themselves under layers of borrowed characteristics
This expresses the tragedy of modern identity crisis - people have become so layered with external influences that even they don't know who they really are. The capitalized 'RECOGNISE' shows Zarathustra's frustrated emphasis on this fundamental problem.
In Today's Words:
You've put on so many different personas that nobody - including yourself - knows who you actually are anymore
"Out of colours ye seem to be baked, and out of glued scraps"
Context: Describing the artificial composition of modern people's identities
This powerful metaphor suggests modern people aren't grown or developed naturally, but artificially constructed from random pieces like a craft project. It emphasizes how disconnected modern identity is from authentic self-development.
In Today's Words:
You're like a collage made from magazine cutouts - just random pieces stuck together with no real substance underneath
"All times and peoples gaze divers-coloured out of your veils"
Context: Explaining how modern people display influences from every culture and era simultaneously
This shows how modern people collect cultural elements like souvenirs without understanding or committing to any of them. The 'veils' suggest these are just surface decorations that actually hide rather than reveal the person's true nature.
In Today's Words:
You wear pieces of every culture and time period like accessories, but none of it actually means anything to you
Intelligence Amplifier™ Analysis
The Road of Borrowed Identity
People accumulate borrowed identities, beliefs, and behaviors to avoid the work of discovering their authentic self, becoming empty performers with no genuine core.
Thematic Threads
Identity
In This Chapter
Zarathustra sees people as painted actors wearing masks of borrowed beliefs with no authentic self underneath
Development
Deepens from earlier themes of self-creation to show the opposite—complete loss of self
In Your Life:
You might recognize this when you realize you're expressing opinions you don't actually hold just to fit in
Performance
In This Chapter
Humanity appears as theatrical performers covered in makeup and costumes, playing roles they don't understand
Development
Introduced here as the mechanism by which authentic identity gets buried
In Your Life:
This shows up when you catch yourself acting differently with different groups instead of being consistently yourself
Emptiness
In This Chapter
Despite their colorful performance, people are fundamentally hollow and unfruitful, unable to create anything genuine
Development
Builds on earlier themes of spiritual poverty to show its ultimate consequence
In Your Life:
You experience this as feeling disconnected from your own life, like you're going through the motions without meaning
Alienation
In This Chapter
Zarathustra feels homeless and alien among his own species, unable to connect with or help these performers
Development
Develops from his earlier struggles with humanity to complete disconnection
In Your Life:
This appears when you feel isolated because you can't find genuine connection in a world of surface-level interactions
Authenticity
In This Chapter
The complete absence of authenticity in modern people who have layered borrowed identities over their true selves
Development
Contrasts sharply with Zarathustra's earlier calls for self-creation and genuine becoming
In Your Life:
You face this choice daily between expressing your real thoughts and feelings versus saying what you think others want to hear
Modern Adaptation
The Costume Party That Never Ends
Following Zara's story...
Zara watches her former colleagues at the community college faculty mixer, horrified by what she sees. Professor Martinez quotes Foucault while checking his phone for Instagram likes. Dr. Williams wears a Black Lives Matter pin while gentrifying the neighborhood with her investment property. The English department head drops Buddhist wisdom between complaints about student loan payments. They've all become walking Pinterest boards of borrowed enlightenment, layering identities like makeup—the woke professor, the mindful academic, the struggling artist. Each persona perfectly curated for maximum social media impact, but when Zara tries to have real conversations, she finds nothing underneath. They speak in borrowed phrases about authentic living while performing authenticity for an audience. She realizes she's watching people who've become so addicted to external validation that they've forgotten how to have an original thought. The saddest part isn't their emptiness—it's that they've convinced themselves their collection of trendy philosophies makes them deep.
The Road
The road Zarathustra walked in 1885, Zara walks today. The pattern is identical: people losing themselves in layers of borrowed identity until nothing authentic remains underneath.
The Map
This chapter provides the authenticity audit—the ability to distinguish between genuine self-expression and performed identity. Zara can use it to spot when someone is quoting rather than thinking, performing rather than being.
Amplification
Before reading this, Zara might have felt confused by the disconnect between people's words and their energy, unable to name why conversations felt hollow. Now she can NAME the pattern of borrowed identity, PREDICT where it leads to emptiness, and NAVIGATE toward genuine connection by seeking people who speak from experience rather than ideology.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What does Zarathustra see when he looks at the people around him, and why does this disturb him so much?
analysis • surface - 2
Why do people keep adding layers of borrowed identities instead of developing their authentic selves?
analysis • medium - 3
Where do you see this 'painted performer' behavior in modern life - at work, on social media, or in relationships?
application • medium - 4
How can someone begin to peel back these borrowed layers and discover what's genuinely theirs underneath?
application • deep - 5
What does this chapter suggest about the relationship between authenticity and loneliness in modern society?
reflection • deep
Critical Thinking Exercise
Identity Inventory Audit
Make three columns on paper: 'Borrowed,' 'Authentic,' and 'Unsure.' List aspects of your current identity - your opinions, interests, speaking style, values, even your taste in music or clothes. Sort them honestly into these columns. Focus on what you actually think versus what you've adopted from others or what you think you should believe.
Consider:
- •Notice which borrowed identities serve you well versus which feel like heavy costumes
- •Pay attention to areas where you feel most confident and natural - these often point to authentic parts
- •Consider whether some borrowed elements have become genuinely yours through conscious choice rather than unconscious copying
Journaling Prompt
Write about one borrowed identity you're ready to question or let go of, and one authentic part of yourself you want to express more boldly.
Coming Up Next...
Chapter 37: The Moon's False Promise
The coming pages reveal to spot people who claim moral superiority while hiding their true desires, and teach us pretending to be above human needs is actually dishonest. These discoveries help us navigate similar situations in our own lives.