Original Text(~250 words)
CHAPTER 100. Leg and Arm. The Pequod, of Nantucket, Meets the Samuel Enderby, of London. “Ship, ahoy! Hast seen the White Whale?” So cried Ahab, once more hailing a ship showing English colours, bearing down under the stern. Trumpet to mouth, the old man was standing in his hoisted quarter-boat, his ivory leg plainly revealed to the stranger captain, who was carelessly reclining in his own boat’s bow. He was a darkly-tanned, burly, good-natured, fine-looking man, of sixty or thereabouts, dressed in a spacious roundabout, that hung round him in festoons of blue pilot-cloth; and one empty arm of this jacket streamed behind him like the broidered arm of a hussar’s surcoat. “Hast seen the White Whale?” “See you this?” and withdrawing it from the folds that had hidden it, he held up a white arm of sperm whale bone, terminating in a wooden head like a mallet. “Man my boat!” cried Ahab, impetuously, and tossing about the oars near him—“Stand by to lower!” In less than a minute, without quitting his little craft, he and his crew were dropped to the water, and were soon alongside of the stranger. But here a curious difficulty presented itself. In the excitement of the moment, Ahab had forgotten that since the loss of his leg he had never once stepped on board of any vessel at sea but his own, and then it was always by an ingenious and very handy mechanical contrivance peculiar to the Pequod, and a thing not to...
Continue reading the full chapter
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Summary
The Pequod meets another whaling ship, the Samuel Enderby of London, and Ahab learns crucial information about Moby Dick. The English captain has actually encountered the white whale and lost his arm to him, just like Ahab lost his leg. But here's where things get interesting - the two captains have completely opposite reactions to their injuries. The English captain treats his loss with humor and acceptance, even joking about it. He's moved on with his life, content to avoid Moby Dick and continue normal whaling. Ahab, on the other hand, becomes even more obsessed when he learns the whale was recently spotted. The contrast is stark: one man has let go of his need for revenge, while the other lets it consume him even more. The English captain and his ship's doctor try to lighten the mood, offering Ahab rum and companionship, but Ahab wants none of it. He only cares about getting the whale's coordinates and rushing off to continue his hunt. The scene shows us how differently people can respond to the same trauma - one path leads to healing and community, the other to isolation and destruction. The English sailors seem happy and well-adjusted, while Ahab cuts the meeting short, too focused on revenge to even share a drink with fellow sailors. It's a perfect example of how our choices after injury or loss define us more than the injury itself.
That's what happens. To understand what the author is really doing—and to discuss this chapter with confidence—keep reading.
Terms to Know
Gam
A social meeting between whaling ships at sea, where crews would exchange news, mail, and stories. These meetings were crucial for breaking up the isolation of long voyages and sharing information about whale sightings.
Modern Usage:
Like running into coworkers from another location at a conference and swapping office gossip
English whaling ship
British vessels that hunted whales, often more focused on profit than American ships. They had different customs and attitudes, generally being more practical and less romantic about the work.
Modern Usage:
Like how different companies have different work cultures even in the same industry
Ivory arm
A prosthetic limb made from whale bone, showing how whalers used every part of their catch. The English captain's ivory arm represents his practical acceptance of his injury.
Modern Usage:
Modern prosthetics that help people move forward after loss rather than dwelling on it
Rum punch
A strong alcoholic drink sailors shared during social visits. Offering drinks was a key part of maritime hospitality and bonding between crews.
Modern Usage:
Like offering coffee or beer to build rapport with colleagues or neighbors
Ship's surgeon
The doctor aboard whaling vessels who handled injuries and illness. On the Samuel Enderby, Dr. Bunger represents rationality and good humor in contrast to Ahab's dark obsession.
Modern Usage:
The workplace health professional who tries to get everyone to take care of themselves
Coordinates/latitude
The mathematical location system ships used to navigate and share whale sightings. Ahab only cares about these numbers, not the human connection being offered.
Modern Usage:
Like someone only wanting GPS directions when you're trying to have a real conversation
Characters in This Chapter
Captain Boomer
Foil to Ahab
The English captain who also lost a limb to Moby Dick but chose humor and acceptance over revenge. He shows what Ahab could have been with a healthier response to trauma.
Modern Equivalent:
The coworker who jokes about their workplace injury instead of suing
Dr. Bunger
Comic relief and voice of reason
The Samuel Enderby's surgeon who treats everything with humor and drink. He tries to get Ahab to lighten up and see the absurdity of his quest.
Modern Equivalent:
The office joker who uses humor to defuse tense situations
Ahab
Obsessed protagonist
Shows his worst qualities here - rejecting friendship, hospitality, and alternative perspectives. His rudeness to fellow sailors reveals how revenge has poisoned all his relationships.
Modern Equivalent:
The bitter person who can't let go of a grudge and pushes everyone away
Fedallah
Silent observer
Ahab's mysterious harpooner watches the meeting silently. His presence reminds us of the dark forces enabling Ahab's obsession.
Modern Equivalent:
The toxic friend who encourages your worst impulses
Why This Matters
Connect literature to life
This chapter teaches you to spot when someone (including yourself) is stuck in a revenge loop that's hurting them more than their target.
Practice This Today
This week, notice when someone keeps bringing up an old injury or injustice - watch if they're using it to connect with others or to justify isolation.
You have the foundation. Now let's look closer.
Key Quotes & Analysis
"No more White Whales for me; I've lowered for him once, and that has satisfied me."
Context: Boomer explains why he won't hunt Moby Dick again after losing his arm
This shows the healthy response to trauma - acknowledging the loss but refusing to let it define your life. Boomer has learned his lesson and moved on, choosing life over revenge.
In Today's Words:
I'm not going back to that toxic situation - once was enough for me
"What became of the White Whale?"
Context: Ahab's immediate question upon boarding, ignoring all pleasantries
Reveals Ahab's monomania - he can't even observe basic social customs. While normal captains would exchange greetings and news, Ahab only cares about his prey.
In Today's Words:
Skip the small talk - just tell me what I want to know
"Oh, very severe! It was a shocking bad wound. But he's all right now, ain't ye, captain?"
Context: The doctor describing Boomer's injury with deliberate lightness
Bunger uses humor as medicine, showing how a supportive community helps healing. His cheerfulness contrasts sharply with the Pequod's grim atmosphere.
In Today's Words:
Yeah, it was rough, but look at him now - doing great!
"I must go. Boy, get the ship's papers."
Context: Abruptly ending the visit after getting Moby Dick's coordinates
Ahab rejects human connection and hospitality, using people only for information. His rudeness to fellow sailors who've shown him kindness reveals how revenge has destroyed his humanity.
In Today's Words:
I got what I needed - I'm out of here
Intelligence Amplifier™ Analysis
The Road of Revenge vs The Path of Release
The choice between letting an injury define and isolate you versus accepting it and staying connected to life.
Thematic Threads
Obsession
In This Chapter
Ahab's monomania intensifies when he learns Moby Dick was recently sighted, while the English captain has moved on
Development
Reaches new heights—Ahab can't even stay for basic sailor hospitality
In Your Life:
When you can't enjoy a meal without talking about what that person did to you
Identity
In This Chapter
Two captains, same injury, opposite identities—one defined by loss, one by resilience
Development
Crystallizes the choice—you become your response to trauma, not the trauma itself
In Your Life:
Whether you introduce yourself as 'a survivor' or just as yourself
Human Relationships
In This Chapter
English sailors offer fellowship and rum; Ahab refuses both for coordinates
Development
Shows the endpoint of isolation—can't even accept kindness from those who understand
In Your Life:
When you push away the very people who could help you heal
Class
In This Chapter
English whalers seem content with honest work; Ahab needs cosmic significance
Development
Working men find meaning in simple things; Ahab's aristocratic pride demands grand revenge
In Your Life:
The difference between needing your job to mean everything versus finding meaning elsewhere
Modern Adaptation
Two Managers, Two Scars
Following Ishmael's story...
Ishmael's covering a story about workplace injuries when he meets two warehouse managers at a safety conference. Both lost fingers in conveyor accidents - same type of machine, same company, years apart. The first manager, Mike, laughs about his missing fingers, calls them his 'tuition for learning safety matters,' and now mentors young workers. He shows Ishmael photos of his grandkids, talks about his bowling league. The second manager, Carl, can't stop talking about suing, about the company's negligence, about how they ruined his life. Five years later, he's still filing appeals, still angry, still alone. Mike invites them both for beers after. Carl declines - he has depositions to review. As Mike orders a round for his safety team, Ishmael sees it clearly: same injury, same company, but one man chose connection and the other chose court. One rebuilt his life around what remained; the other built it around what was lost.
The Road
The road Ahab and the English captain walked in 1851, Ishmael walks today. The pattern is identical: when wounded, we choose between obsessive pursuit of justice or accepting loss and staying connected to life.
The Map
This chapter provides a navigation tool for handling workplace injuries and injustices. Ishmael can use it to recognize when righteous anger becomes self-destructive isolation.
Amplification
Before reading this, Ishmael might have admired Carl's refusal to 'let them get away with it.' Now he can NAME the pattern of revenge versus release, PREDICT how each path shapes a life, and NAVIGATE toward connection rather than consuming obsession.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What's the main difference between how the English captain and Ahab react to losing a limb to Moby Dick?
analysis • surface - 2
Why do you think the English captain can joke about his injury while Ahab can't let it go? What makes one person move on while another gets stuck?
analysis • medium - 3
Think of someone you know who can't let go of an old hurt - maybe a bad breakup, a job loss, or a family fight. How is their behavior like Ahab's? How does it affect the people around them?
application • medium - 4
If a friend kept bringing up the same old grievance every time you saw them, how would you help them move forward? What would you say to help them choose the English captain's path instead of Ahab's?
application • deep - 5
What does this chapter reveal about how our response to pain shapes who we become? Is the injury itself or our reaction to it more important in determining our future?
reflection • deep
Critical Thinking Exercise
Map Your Response to Wounds
Draw two columns on a piece of paper. In the left column, list 2-3 times you've been genuinely hurt or wronged - by a person, a situation, or life itself. In the right column, write 'Ahab' or 'English Captain' based on how you responded. Did you let it consume you or did you find a way to move forward? Be honest with yourself.
Consider:
- •Notice which response pattern you default to - do you tend toward obsession or acceptance?
- •Think about the cost of each response - what did the 'Ahab' responses cost you in terms of relationships, opportunities, or peace of mind?
- •Consider one 'Ahab' response you're still carrying - what would it take to shift it to the English captain's approach?
Journaling Prompt
Write about one wound you've been nursing like Ahab. What would your life look like if you chose to respond like the English captain instead? What's the first step you could take tomorrow to begin that shift?
Coming Up Next...
Chapter 101
As the story unfolds, you'll explore key events and character development in this chapter, while uncovering thematic elements and literary techniques. These lessons connect the classic to contemporary challenges we all face.