Original Text(~250 words)
XXII They came downstairs yawning next morning; but skimming and milking were proceeded with as usual, and they went indoors to breakfast. Dairyman Crick was discovered stamping about the house. He had received a letter, in which a customer had complained that the butter had a twang. “And begad, so ’t have!” said the dairyman, who held in his left hand a wooden slice on which a lump of butter was stuck. “Yes—taste for yourself!” Several of them gathered round him; and Mr Clare tasted, Tess tasted, also the other indoor milkmaids, one or two of the milking-men, and last of all Mrs Crick, who came out from the waiting breakfast-table. There certainly was a twang. The dairyman, who had thrown himself into abstraction to better realize the taste, and so divine the particular species of noxious weed to which it appertained, suddenly exclaimed— “’Tis garlic! and I thought there wasn’t a blade left in that mead!” Then all the old hands remembered that a certain dry mead, into which a few of the cows had been admitted of late, had, in years gone by, spoilt the butter in the same way. The dairyman had not recognized the taste at that time, and thought the butter bewitched. “We must overhaul that mead,” he resumed; “this mustn’t continny!” All having armed themselves with old pointed knives, they went out together. As the inimical plant could only be present in very microscopic dimensions to have escaped ordinary observation, to find it seemed...
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Summary
A customer complains that the dairy's butter tastes off, and Dairyman Crick discovers it's from garlic weeds in the pasture. The entire dairy crew lines up to crawl through the field, searching for the tiny plants that are ruining their product. It's tedious work—they find only a handful of garlic shoots, but even one bite by a cow can taint the whole day's production. As they work side by side, Angel Clare walks next to Tess, making small talk that feels awkward after their intimate conversation the night before. When the dairyman's back gives out and he suggests Tess rest too, she and Angel step out of line together. In a moment of painful self-sacrifice, Tess tries to redirect Angel's attention to the other dairymaids, Izzy and Retty, praising their looks and dairy skills. She's convinced they'd make better wives for him than she would, given her shameful past. Angel notices but doesn't take the bait. From this day forward, Tess forces herself to avoid Angel, giving the other girls every opportunity to win his affections. She admires what she sees as his honorable restraint in not leading any of them on, not realizing that his careful behavior might actually be about protecting her feelings, not theirs. The chapter shows how sometimes the smallest disruptions—like garlic in butter—can force people into close quarters where bigger truths emerge. Tess's attempt to nobly step aside reveals both her deep insecurity and her genuine care for Angel, even as it creates the very distance she fears.
That's what happens. To understand what the author is really doing—and to discuss this chapter with confidence—keep reading.
Terms to Know
Twang
A sharp, unpleasant taste or smell that ruins food. In this case, garlic weeds eaten by cows made their milk and butter taste awful. One small contamination could ruin an entire batch of dairy products.
Modern Usage:
Like when one bad ingredient ruins a whole dish, or one negative review tanks a restaurant's reputation online.
Mead
A pasture or field where livestock graze. Different fields had different plants growing in them, and farmers had to be careful about which cows went where to avoid contaminating the milk.
Modern Usage:
Similar to how we zone different areas for different purposes - like keeping the smoking section away from the dining area.
Inimical
Hostile or harmful. Hardy uses this fancy word to describe the garlic plants that are the enemy of good butter. Even tiny amounts could destroy the dairy's reputation with customers.
Modern Usage:
Like how we talk about toxic people or environments that seem harmless but actually damage everything around them.
Microscopic dimensions
So small you can barely see it. The garlic shoots were tiny but powerful enough to ruin the entire dairy operation. Shows how small problems can have huge consequences.
Modern Usage:
Like a tiny computer virus that can crash a whole system, or one small lie that destroys a relationship.
Self-sacrifice
Giving up something you want for someone else's benefit. Tess tries to push Angel toward the other dairymaids because she thinks they deserve him more than she does.
Modern Usage:
Like stepping back from a promotion so a coworker can have it, or not applying for something because you think others are more worthy.
Restraint
Holding yourself back from doing what you want to do. Tess admires what she thinks is Angel's noble self-control around all the women, not realizing he's just being careful with her feelings.
Modern Usage:
Like when someone doesn't text back immediately even though they want to, trying to play it cool or not seem desperate.
Characters in This Chapter
Tess
Protagonist struggling with shame
She tries to push Angel away by promoting the other dairymaids, believing they're more worthy of him. Her self-sacrifice shows both her insecurity about her past and genuine care for others.
Modern Equivalent:
The friend who always puts herself down and tries to set up the guy she likes with other people
Angel Clare
Love interest showing careful restraint
He works alongside Tess in the field but maintains careful boundaries. Tess misreads his behavior as noble restraint toward all women when he's actually protecting her feelings specifically.
Modern Equivalent:
The coworker who's interested but trying to be professional and not make things awkward
Dairyman Crick
Practical boss dealing with crisis
He discovers the butter problem and organizes the whole crew to fix it. His back gives out during the tedious work, showing how physical labor takes its toll on older workers.
Modern Equivalent:
The small business owner who has to solve every problem himself and works alongside his employees
Izzy and Retty
Rival love interests
Tess actively promotes these other dairymaids to Angel, praising their looks and skills. They represent what Tess thinks she can't be - worthy of a good man's love.
Modern Equivalent:
The coworkers you think are more qualified or attractive than you are
Why This Matters
Connect literature to life
This chapter teaches how to recognize when shame masquerades as selflessness, leading us to reject opportunities we actually want.
Practice This Today
This week, notice when you step aside from something you want—ask yourself if you're being genuinely generous or protecting yourself from potential disappointment.
You have the foundation. Now let's look closer.
Key Quotes & Analysis
"And begad, so 't have!"
Context: When he tastes the butter and confirms the customer's complaint
His dialect and immediate acknowledgment show he's a straight shooter who won't deny problems. This sets up the crisis that forces everyone to work closely together.
In Today's Words:
Well damn, they're right!
"This mustn't continny!"
Context: After identifying the garlic as the source of the problem
Shows his determination to protect the dairy's reputation. One customer complaint could ruin their business, so he mobilizes everyone immediately to fix the root cause.
In Today's Words:
We can't let this keep happening!
"She's prettier than I am"
Context: When she tries to redirect Angel's attention to the other dairymaids
Reveals Tess's deep insecurity and self-sacrifice. She genuinely believes others deserve happiness more than she does because of her shameful past.
In Today's Words:
She's way better looking than me - you should go for her instead
Intelligence Amplifier™ Analysis
The Road of Noble Self-Sabotage
Convincing yourself that stepping aside is virtuous when it's actually driven by shame or fear of unworthiness.
Thematic Threads
Self-Worth
In This Chapter
Tess believes her past disqualifies her from love, so she tries to redirect Angel to 'worthier' women
Development
Deepening from earlier hints of shame to active self-sabotage
In Your Life:
You might recognize this when you talk yourself out of opportunities because you feel 'not good enough.'
Class
In This Chapter
The dairy work creates temporary equality—everyone crawls through dirt together looking for garlic
Development
Continuing theme of how physical labor levels social hierarchies
In Your Life:
You see this when crisis or shared struggle temporarily breaks down workplace or social barriers.
Communication
In This Chapter
Angel and Tess make awkward small talk, both avoiding the real conversation they need to have
Development
Building pattern of missed connections and unspoken truths
In Your Life:
You experience this when important relationships get stuck in surface-level interactions because deeper truths feel too risky.
Identity
In This Chapter
Tess sees herself as fundamentally different from the other dairymaids due to her secret past
Development
Her sense of being 'marked' or separate continues to isolate her
In Your Life:
You might feel this when past mistakes make you feel permanently different from others who seem 'normal.'
Sacrifice
In This Chapter
Tess forces herself to avoid Angel and promote other women's chances with him
Development
Introduced here as a new coping mechanism for her shame
In Your Life:
You see this when you give up things you want, telling yourself it's for others' benefit but really protecting yourself from potential hurt.
Modern Adaptation
When the Promotion Goes Sideways
Following Teresa's story...
The restaurant's health inspector finds contamination in the walk-in cooler, and the whole kitchen staff has to deep-clean every surface and container. It's backbreaking work—scrubbing, sanitizing, checking expiration dates on hundreds of items. Teresa works alongside Miguel, the assistant manager who's been showing interest in her since she started. The close quarters make their unspoken attraction impossible to ignore. When the head chef suggests they take a break, Teresa panics at being alone with Miguel. Instead of enjoying the moment, she starts praising her coworkers—how Maria is such a natural leader, how Sofia has great ideas for the menu. She pushes Miguel toward them, convinced they'd be better for him than someone like her with her messy past. Miguel looks confused but doesn't pursue it. From then on, Teresa deliberately schedules herself on different shifts, giving the other women every chance to connect with him. She tells herself she's being noble, looking out for her friends. Really, she's protecting herself from the vulnerability of being wanted by someone who doesn't know her whole story.
The Road
The road Teresa walked in 1891, Teresa walks today. The pattern is identical: shame disguised as selflessness, stepping aside from what we want because we believe we don't deserve it.
The Map
This chapter provides a navigation tool for recognizing Noble Self-Sabotage. When you find yourself promoting others over yourself, ask: Am I being truly generous, or am I protecting myself from potential rejection?
Amplification
Before reading this, Teresa might have continued avoiding Miguel, convincing herself she was doing the right thing. Now she can NAME the shame driving her 'nobility,' PREDICT how it will isolate her further, and NAVIGATE toward honest vulnerability instead.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does the dairy crew have to crawl through the field looking for garlic weeds, and what does this tell us about how small problems can have big consequences?
analysis • surface - 2
When Tess starts praising the other dairymaids to Angel, what's really driving her behavior? Is she being genuinely selfless or is something else going on?
analysis • medium - 3
Where do you see people today stepping aside from opportunities or relationships while telling themselves they're 'doing the right thing'? What might really be motivating them?
application • medium - 4
If you had a friend who was pushing away something good because they felt 'unworthy' of it, how would you help them recognize what they're really doing?
application • deep - 5
What does Tess's behavior reveal about how shame can disguise itself as virtue? How can we tell the difference between genuine selflessness and fear-based retreat?
reflection • deep
Critical Thinking Exercise
Decode Your Own Noble Retreat
Think of a time when you stepped aside from something you wanted—a job, relationship, opportunity, or recognition—telling yourself you were being considerate or humble. Write down what you told yourself at the time, then dig deeper: what were you really afraid of? What would have happened if you'd pursued what you wanted instead of retreating?
Consider:
- •Notice the language you used to justify stepping aside—words like 'deserve,' 'better off,' or 'don't want to be selfish'
- •Consider what advice you'd give a friend in the same situation
- •Think about whether your retreat actually helped anyone or just protected you from potential disappointment
Journaling Prompt
Write about a current situation where you might be using 'noble' reasons to avoid going after what you really want. What would one small step forward look like, despite your fears?
Coming Up Next...
Chapter 23: Crossing the Flood Together
What lies ahead teaches us physical proximity can intensify emotional connections, and shows us group dynamics shift when one person becomes the clear favorite. These patterns appear in literature and life alike.